Thursday, August 28, 2008

Your Brief Linked guide to tonight's Recession Thursday (28 August 2008)

posted by Ramon Medina - LP4 @ 6:58 AM


B L A C K I E: Skyline Network raves that their new album, Wilderness of North America, is "like nothing we’ve ever really heard"and Space City Rock says
"[Wilderness of North America is] the absolute weirdest, rawest, most uncompromising, and most intriguing hip-hop I've heard...Top that, Kanye.""Take equal parts fucked-up electronics, distorted pop-cult samples, guitar feedback, video game noise, and angry-as-hell street flow, set it on fire..."

The Mathletes: Sarah Cress at the Houston Chronicle wrote a great little piece on these guys (link). Here is an except:

"the Mathletes, which isn't like any other band you know. It's a lo-fi, indie-pop spectacle with a revolving cast of characters that last year included 30 people. Some regulars include former Infernal Bridegroom Productions staffers and members of the indie-rock band the Dimes....

Mathlete is a little like the Flaming Lips' Wayne Coyne; a ringmaster juggling layers of props, costumes and instruments to create a jagged masterpiece of art, comedy and performance. At its heart, though, the spectacle is about the music. The songwriter has been dreaming up fragile, sincere, weird songs since he received a four-track recorder on his 16th birthday. Mathlete, now 24, writes about anything, from his earliest songs about a ladybug and his high school friends at St. John's School to a collection of Christmas songs (check out Rudolph Dance Party on MySpace) to songs about animals that contain what he calls "clunky metaphors."

"I like the animal songs. Harry the Hornless Unicorn is about a unicorn born without a horn and feeling incomplete. It Is A Difficult Thing, Being A Mule is about being a mule; you're not a donkey, you're not a horse, you're something in the middle that no one really wants. I write kind of depressed children's songs, I guess."



The Goods: Space City Rock writes:

"This is a gritty, dirty, don't-give-a-fuck kind of rock that's probably most at home on a stage in some hazy, beer-soaked dive where there's as much Fugazi and Yeah Yeah Yeahs on the juke as there is the Stones or Elvis. The songs stagger and lurch from time to time, like a drunk trying to make it down the stairs without spilling his drink, but there's also a hint of OK Go's smart-assed songwriting sense and bumping rhythms. Call it grunge, or "post-grunge," whatever you want; any way you look at it, the Goods ride the line between rock swagger and indie storm-of-noise, and they do it with style."

Giant Princess: Space City Rock (again!!!) wrote this review of some of their demos:

"Giant Princess's self-titled debut recording is an exercise in all the wonderful things you can do with a bad recording of good songs, and I do mean a bad recording. The mix is a "mix" only in the loosest sense of the word, with the vocals all but unintelligible and the organ so far up front you might as well be sitting next to it. That's the total genius of the album. Just like the Pixies forced you to see through the haze of noise into the weird minds of Frank Black and Kim Deal, so are we pulled into the awesomely loose song style that makes up Giant Princess. When you pull the blues up to the red line and speed it up, this is what you get. It's an unstoppable journey of energy and insanity that makes me proud that we're both from Houston.

More and more, I am becoming convinced that the world is actively hiding awesome music from the populace. ...The music industry is struggling at hundreds of thousands of kilowatts to convince us that 3 Doors Down and their ilk has anything at all relevant to say. Meanwhile, artists like Giant Princess have to scream themselves hoarse just to whisper the true evolution of rock and roll.

Rough, amateur, and loud, I guarantee that Giant Princess is just what you need."

Generation Landslide: This is what they have to say about themselves on their myspace:
"Generation:landslide! is a power pop outfit from the wild streets of Houston, TX. Combining intelligent, edgy lyrics with catchy pop melodies...Generation:landslide! is somewhat an anomaly among Houston bands. They prefer to play catchy originals that draw from rock's best traditions, still sounding amazingly fresh and in step with contemporary trends without sounding dated. This approach has allowed them to carve out a special niche in the Houston music spectrum. Perhaps that's why they stand out. "
AND Just Added (from Austin)
The Reverse X-Rays: The Daily Texan writes that“Dense musical backgrounds are evident in the Reverse X-Rays' uniquely artistic sound and the extensive musical skill of each member…” while Austin Sound writes:
"The Reverse X Rays lay down some of the funkiest experimental grooves in town, instrumental bursts that are tight and catchy while still pushing every envelope they can lick.”

Monday, August 25, 2008

Music with Jameson and Lone Star: Starting a band? Here are 10 things not to do!

posted by Ramon Medina - LP4 @ 8:22 AM

My band was playing this past weekend which means there are no live reviews today. So, in response to some messages I got on my MySpace, let me instead supply you younger bands with some cranky hungover advice that you can take or leave at your discretion.


1) Don’t play one of those Gorilla productions’ battle of the bands.
No! Music isn’t a sport and if you think that the next big band is going to be found through this ridiculous little Pokémon battle you are sadly mistaken. This preys on young bands who seek fame and not honing their craft.

2) Don’t play a “pay for play” show.
Any club or promoter that’ll tell you that you have to sell X number of tickets to play should be met with the question that posits how far up their ass they would like their ticket shoved.

3) Don’t think that your venue options are limited.
Don’t be an fool and think you can open for Radiohead when they come through town; look for small clubs, shows, house parties, and promoters. If you still can’t score a show that’s already booked try to book your own.

4) Don’t believe that a MySpace e-mail beats your own feet.
Get down to the club and talk with the booker and go out to shows and talk to the bands but…

5) Don’t be a douche schmoozer.
Nikki Corvette made the point that to make music you have to be a fan. So, go to shows and befriend bands you like. But here is the deal - don’t do this for political reasons, do it because you like the bands and admire what they do.

6) Don’t be an arrogant ass.
Don’t act like a prima donna when you are at the club. Help the other bands out. Stick around for their set. If there is some reason you have to leave, be good enough to apologize to the band. Also, if you are opening don’t make a pompous flyer where your band is listed in big letters above everyone else- if you’re not headlining don’t make it look like you are. Also, don’t jack with the person who does the sound unless you like really crappy sound. If that person is terrible, getting into a tiff won't make it any better.

7) Don’t be lazy about promoting your own show.
Bulletin on MySpace, Facebook, local boards, and the like but don’t rely on that exclusively - make your own flyers and put them out. And with enough time for people to see them – perhaps a month before. If you are playing a show you owe the booker, club, and bartenders the effort to try to get people out there.

8) Don’t wait for that big record contract.
Sorry, but it isn’t gonna fall in your lap. Most labels have whatever money they have already allocated to their roster of artists so your odds are slim. Sure, try the local labels (Mia Kat, Cut Throat, Team Science etc) but the odds are your first release (if not all) is one you’re gonna have to record on your dime. That means recording at home on whatever equipment you have available to educate yourself. Once you are pretty happy and have experimented enough, take your hard earned pennies and go to one of the local indie studios (Dead City, Digital warehouse, Pigeon Eater, just to name a few) and talk to the engineer about what you want. Don’t play around with your studio time, you’re not the Beatles! Once you’ve got a final product then try shopping it to the labels. If they balk, then make a CDR or get a small run manufactured. Sell them at shows and, if you want, put them out digitally via a service like Tunecore.

9) Don’t get a manager.
Who the helk do you think you are that you need a manager? Do it all yourself - book your shows, make your own albums, and promote yourself. Don’t have someone be your mouthpiece. If you should ever get to such a stage where things get so big that you need someone to handle this stuff, at least you’ll have a good idea of what they should be doing for you. So the be pithy…

10) Don’t think someone else should wipe your henie.
DIY - write, play tour, record, make your own mistakes. If you want to make music, that’s what it comes down to.

Friday, August 22, 2008

The Music Crumudgeon's preview for the Week of August 22nd 2008

posted by Ramon Medina - LP4 @ 12:01 AM

THIS WEEK'S SPOTLIGHT IS ON
Ye Olde School Metal

Saturday, August 23
Judas Priest / Heaven and Hell / Mötörhead / Testament

@ Cynthia Woods Mitchell Pavilion
Right, ironic isn't it, after giving Chris Gray shit about too many goddamn classic rock posts that I pick this. But I have to put turn-in my cool badge and admit this is a pretty bad ass line up...well except for Testament. Fuck Testament! I mean lookit - Priest, Black Sabbath (yeah that's right Sharon O. This is goddamn Black Sabbath too!), and Lemmy! If there was ever an excuse for paying for overpriced beer in a plastic bottle in a (more than likely) muddy field - this is it! I know what you're thinking "Dude - the Jon Benet, Something Fierce, Babelfishh, for god sake - Rad Rich's Birthday Bash!" Well sure, but consider the triumvirate. That's like the Ark of the Covenant of late 70's early 80s metal! You know where your face begins to melt because it's not meant for mortal eyes! What ever happens don't gaze upon Lemmy mole or Rob Halford's cod piece. The clincher - the most important reason to go - is to bow down to the Dio. Yes, that's right how many times have you made a Dio metal sign at a show? Right! He may sing about rainbows but metal wouldn't have it's universal symbol were it not for Black Sabbath's second frontman and unlike the Ozz, Dio has managed not to become a sad parody of himself and he can still belt it out like the old days. So rock on oldster metal. Rock on! \m/

ALSO THIS WEEK



Friday, August 22

Rudyard's 30th Anniversary Party,
Part 1 featuring
Spain Colored Orange & Three Fantastic
@ Rudyard's

Wow Number's, Fitzgerald's and Rudyard's all celebrate 30 years. What was going on in 1978 that all these local landmarks went up in the same year? I dunno but we're glad all three are sticking around. For its celebration, Rudz is having three nights of solid local bands. [Actually I'd probably make all three shows the local spotlight were it not for a clear conflict of interest.] Friday kicks of the trio of shows headlined by the poppy psychedelia of Spain Coloured Orange a band that somehow survived the dreaded Houston Press Music Awards Cover Curse - quite the feat!

Eye Against (final show)/The Jonbenet / The Last Place You Look / Supremacy / Grave Robbers / Indisgust / Euphilia
@ Fitzgerald's

Eye Against has been making loud chunky screamy metal for a decade but lo the god of metal is not kind and their time at Valhalla is nigh. Tonight will be your last chance to see them and flighting them away to the great hall will be the always ass kicking Jonbenet and other heavy friends.


Amplified Heat / The Mighty Orq / Splithoof / SCH
@ The Meridian
Austin's Amplified Heat bring their Hendrix meets ZZ Top shuffle down to Houston again and, if you haven't seen them, it's worth checking out.


Shake & Pop, featuring Witnes, Squincy Jones, Gracie Chavez, & more
@ Boondocks
also
DJ Jester the Filipino Fist/Dayta/Ceeplus
@ The Mink

They are the DJ's they are what they play. They've got believers who believe in them.



Fahl & Folk (CD release) / Carrie Ann & The Apocalyptics / Lisa Novak / Rich Hopkins / LL Cooper
@ Dan Electro's Guitar Bar
Record release for local folkies. F&F aren't my thing but, if you follow the folkie scene in Houston, I'm sure the supporting bands alone are likely to make you dance a jig.

Guitars
On KTRU's Revelry Report (6PM)
Woo! Tune your radio in for a MonocleLennyBriscoeAlarma-tastic show!


Saturday, August 23

Rudyard's 30th Anniversary Party,
Part 2 featuring
Poor Dumb Bastards, ..., & Something Fierce
@ Rudyard's
Sure, Poor Dumb Bastards have been doing their thing since the 90's and they are a lot of fun to see but right now the opener is who is on an amazing roll. Something Fierce are a band that's taken its pop punk craft and sharpened it so much since their first release, Come for the Bastards, that in retrospect that first album seems as thin as a cardboard cut-out . With two 7" - "Teenage Ruins" and now "Modern Girl" - the band has gone from student to master in the pop punk dojo. I suspect that, if they are able to keep the songcraft up at their current level and drop that into a full album, it would be the musical equivalent of taking a grenade, pulling the pin and holding in your mouth. BOOM! But bands like SF are bands that I've said so much about that I really just can't add anything more to the accolades. So fuck that! Let the music do the talking! Here's Modern Girl.





Rad Rich's Birthday Bash,
featuring
Machete, Luxurious Panthers, Streetwise, The Takes, UYUS, Smugglaz, American Sharks, Full Contact, & more
@ Notsuoh
Well crap! I was going to make this my featured show of the week but goddamn if I can find a poster or much confirmed info on the web on this show. That's actually par for the course for Rad - a Houston punk rock icon since the 80's. He turns 15 years old today and will likely grace the Hands Up Board with an obtuse post from some exotic city today with more details. Happy Birthday Mr. Punk!


You Ain't Grunge,
featuring
Smoke Eaters (Foo Fighters), Deus Machina, Full Release (The Toadies), Sun Machine (Stone Temple Pilots), Darwin's God (Soundgarden), Dine Alone (Deftones), Cellcyst (Korn), Numero Unos (Screeching Weasel), Brown vs. Board (Rage Against The Machine), & Meaningless Conflict (Helmet)
@ Fitzgerald's

You ain't grunge is likely the most appropriate name for this festival of bands who, for the most part, are covering bands with no grunge connections whatsoever. Homework assignment for these bands - listening to Superfuzz Bigmuff. Essay due Monday.


The Sans-Bayonet (record release) / B-Side / Breathe In Your Neighborhood / Dim-Hearted / Dee-Rail / The Barista
@ Walter's on Washington
Yes the vocals are pedestrian and the mixes are no better but it's a local record release and thus will get a mention simply because of that. (OUCH!)

Red Alert / Oxblood / The Broadsiders / Lost City Souls/Coptic Times
@ Numbers

OI OI OI bands from the mildly amusing 1979 English Red Alert to mildly amusing Dallas' Broadsiders. My thing is I just want to tell the bands "Hey, pick up the tempo!"


Texas Johnny Boy & Milton Hopkins
@ McGonigel's Mucky Duck
Ahh good old Milton Hopkins! I haven't seen that dude since I recorded him for KTRU ages ago. Yes, he's related to Lightnin' and this should be a pretty nice laid-back evening of Texas Blues.

J'ando (in-store)
@ Cactus Music (4PM)
Free Instore. Hooray!

Secret Saturday Show
@ The Shady Tavern
Free afternoon show at the ST! Hooray Hooray!

Sunday, August 24
Lucas Gorham & Dave Dove
@ Avant Garden (6PM)
Part of the They Who Sound series where unlike, all those bands who tout themselves on Myspace as being experimental out of ignorance or misguided arrogance, it's the real deal.


Rudyard's 30th Anniversary Party,
Part 3 featuring
Dollyrockers, Bring Back The Guns, The Trian Woodburns
@ Rudyard's
Hopefully, you got the word that Bring Back the Guns moved to Sunday from Friday Night. The Quartet has long been one of Houston's most energetic live bands and last year's album was phenomenal. Headliners Dollyrockers play straight-up bar rock and the Trian Woodburns play some nice down homey rock that I think sounds pretty cool when they whip out the acoustic guitars. Hope you enjoy the hangover on Monday.

Monday, August 25

B. / Hollywood Black / Dignan /Homer Hiccolm and the Rocket Boys
@ Walter's on Washington

B's over the top energetic frantic instrumental proggatastic shows are awesomeness in my book. If you loved (late) Blades and adore Tambersauro then these guys complete the trinity. They are playing with Hollywood Black who are hot off the heels of their newest album and McCallen's finest Dignan whose 2007 release is impeccably and richly produced indie pop.


Babelfishh/Brandon West
@ Boondocks
Admittedly, I have a pretty limited rap vocabulary but Babelfish is one local act that's just off kilter and crazy energetic enough to replace my morning coffee as a way to wake up.

Tuesday, August 26

Roger Creager (in-store)
@ Cactus Music (6PM
)
Free Instore. Wooo!


Teenage Kicks
On the KTRU Local Show (8PM)
Local Punky Powerpoppers teenage kicks invade the local show! Awesomeness!

Wednesday, August 27

The Cute Lepers / The Powerchords / Avenue Rose / Alarma!
@ Walter's on Washington (8PM, $10)
Seattles' The Cute Lepers may play nice if disposable power pop but my money is on California's Powerchords who play the P pop with an energy and a wit that does what pop should do - be fun. Of course Alarma is always fun too so make sure to show up early.

Thursday, August 28

The Pleasure Kills / The Greatest Hits / Guitars
@ Rudyard's

San Fransisco's The Pleasure Kills do power pop in a 60s vein so if you dig Austin's Ugly Beats this might be up your alley. Guitars is this nutters supergroup made up of members of the Monocles, Lenny Briscoe, and Aarma - a recipe for awesomeness!

Recession Thursdays,
featuring
The Mathletes, B L A C K I E, The Goods, & Giant Princess
@ Numbers

This one's gonna be awesome just nobody break up or get sick eh? More deets on Thursday!

Monday, August 18, 2008

Music with Jameson & Lone Star: Riff Tiffs, Wild Moccasins, and Eastern Sea warehouse Party

posted by Ramon Medina - LP4 @ 12:01 AM

Warehouse Party!
Peeps! Heat! Sweat! Dancing! Great Music! Mystery Beer!
Awesomeness!

Chris Gray was going on a while ago about alternative venues and I have to say that a sweaty hot warehouse is a nice change of pace from the usual club de rigeur. I have to admit that I had a little problem finding 2220 Commerce so I went across the street where there was a hardcore show to ask and they really nice and pointed me in the right direction.*
Once I found the warehouse entrance there outside were the Wild Moccasins, Elaine Greer and Austin Lloyd, John Sears, Tom Martinez (Tontons), Carlos Sanchez (Young Mammals), Joe Mathlete, and...well let's just say it was a party - an over by curfew party! Hell even 21-year-old Carlos Sanchez said "Am I the only one who feels old here?" Right Carlos! Not that anyone paid him any mind because the moon was full, the night cool, and the Astros even throw in some fireworks for good measure - good omens all.

The Eastern Sea started the evening with a sweet set. I really loved their set at Walters a few weeks ago. They are clearly having a ball making music and that enthusiasm carried through both performances. The songs are sharp and clever folky pop with great harmonies and some nice guitar work. The only thing is, this was a warehouse party and as such, you weren't going to get the nuanced mix that Terry gave them at Walter's a few weeks back so I felt that some of what makes them great was lost (particularly the harmonies). Regardless of any limitations, the music carried though to the point where people were swaying to the music and enjoying it and that is all that matters. I'll say this about the Eastern Sea. I've heard a few tracks on myspace of their EP but there is something restrained in those recordings and what is missing is the playful energy and joy of their live performances. Perhaps that's asking for a lot out of a recording but a band as good as the Eastern Sea deserves a recording that captures the energy of their music living and breathing in front of you. All of this is just a long way of saying that I really get a kick out of the Eastern Sea and hope they make their way down to Houston more often.

Next up was, yeah, you guessed it, The Wild Moccasins. Yes, I may have to purposefully have a Wild Moccasins review blackout because this is getting ridiculous. But it's so hard to do because they are so much fun. Friday they were as great as ever and they even threw us a few curve balls with a secret weapon - the dude! Yes, to the left sat a guy with a black garbage bag whose job it was to toss out what looked like sealed pastries and balloons. Now that's a freaking special effect! Balloons above a crowd are the great equalizer! Even the biggest thuggiest tough guy will invariably smile and bounce it back in the air. Sure, it's silly and childish but you know what? That's OK. It's not dark or ironic, or heavy - it's fun. Fun is OK folks! And fun music doesn't mean it's vacuous or cookie cutter fluff. There is craft and care put into what the Moccasins do. If you abhor the Moccasins or my "Mickey Mouse" taste in music that's fine. I'll tell you what;
you keep going to "adult" rock shows and I'll keep hopping and singing the Wee Ooo Eee Ooos with Joe Mathlete on Fruit Tea.

Last up was The Riff Tiffs. I'll make a confession, I didn't particularly get into the Riff Tiff's album Afflictinnittus. To me, it sounded pretty but something just seemed to be missing. I could never put my finger on it so I shrugged off seeing them until this show. The thing is, like the Eastern Sea, the Riff Tiffs are a better band than their studio work would suggest. The Riff Tiffs are all about the sonics they produce live and
Afflictinnittus just misses it totally. Live it's this big wave of notes that ebb softly then build into a tsunami of sound - I'm talking brilliant dynamics. Compare that expansive sound to the recordings and the band in the recordings sounds isolated from each other and compressed. Capturing the energy and force of their live show is what some engineer needs to capture - anything less and they fail. So what I'm saying is nice set guys.

Attention Eastern Sea!

We give-in to your cuteness!

The Eastern Sea - hmmm not sexy enough...

....Oh no wait! now we're tallkin'!
YES! Pale sweaty shirtless dudes!
Eastern Sea Hotness!


Now do you see what I mean?
The Moccasins are the party!!!


The world famous Wild Moccasins
state of the art light show!!

A Lite-brite!

If you read Hands Up Houston this week you likely saw this:
"I don't like the local kiddie indie pop bands or freak folk bands that are now all the rage. They need to go join the Mickey Mouse Club on the Disney channel. Usually any band that Ramon LP4 jerks-off about every time he posts I know not to listen to."
Andrew, of course, dressed appropriately.

Austin Lloyd or Charleston Heston in Planet of the Apes?
You decide!

Some bands spend millions on lights, props, and sets.

Fuck that! The Wild Moccasins
just had this dude toss out pastries and balloons!

Hell yeah! Balloons!

You can never go wrong with balloons!

Cody Swann
Neil Diamond "Hot August Night" FAIL!


This is really what the Riff Tiffs looked like without flash

Look that woman is dancing! In Houston!

We have attained Riff Tiffs nirvana!
The Riff Tiffs doing their best
Mudhoney impersonation!


....and that's a wrap!
Links:
More pictures on my Flickr (Link)

The Eastern Sea (Link)
The Wild Moccasins (Link)
Riff Tiffs (Link)

*Andrew Ortiz later ran me a breakdown of who was playing and it sounded like a pretty sweet bill. So hey hardcore promoters you need to give me a heads up; we love the hardcore too.

Labels: , ,